The Great Pretender - Max Riebl (counter-tenor)

MUSIC / AUS 

“Breathtaking, a true artist.”

Australian Stage

"Luminous."

The Australian

"Caressing roundness."

Sydney Morning Herald 

An astonishing performance by a celebrated counter-tenor reimagining and uniting the power of early pop with the genius of baroque. Garland, Bach, Handel and Morrissey collide and the result isn’t fusion, it’s chemistry.

The Great Pretender showcases the ethereal voice of Max Riebl, who combines his mastery as a baroque musician with the pure vocal power and authenticity of an emerging pop artist. Riebl wittily confronts his inner battle between artistic obedience and disobedience, rebels against the puritanical authority of classical music and embraces an unruly, alternative world of music, which seeks purity and truth over boundaries, judgement and austerity.

Max has appeared throughout Australia, Europe and the UK with baroque ensembles such as the Australian Brandenburg Orchestra, La Cetra Baroque Orchestra, the London Handel Orchestra and Orchestra Victoria as well as a number of symphony orchestras and contemporary ensembles.

Accompanied by virtuosic musicians and unique, electrifying arrangements this show unveils a new sound and concept. A must-see, must-hear experience for three nights only.

THE STUDIO: Feb 16, 17, 18 Feb at 8.30pm $29/C$22.50/Ch$22.50 (60 mins)

BUY TICKETS

 

The GC at The German Club 223 Flinders Street Adelaide

BOOK TODAY AT www.adelaidefringe.com.au/fringetix or 1300 621 255
 

View more 2018 Fringe shows at the GC Adelaide

The GC places strong emphasis on high production values and comfort for artists and audiences.

The main performance space – the 700-seat Grand Central Showroom (1,000 in row seating) is the Fringe’s biggest hard-top, multi-purpose room: fully air-conditioned with side access prosc arch stage, huge wings, high ceiling, black-out curtains, lift and stair access and minimal sound transfer. It is equipped with some of the very best sound and lighting gear available, the equal of anything in the Fringe. 

Other rooms includes the 100-seat “black box” Grand Central Underground, a versatile, character, fully equipped  performance space with great audience interaction.

 

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