Giantology - Michael Hackett
COMEDY/STANDUP / UK
★★★★★ “Fall off your bar-stool funny!”
says Barry from some pub in London.
echoes Barry’s mate as he clambers back onto his.
But don’t take their word for it... Can you really fit in when you’re 6’7” or 204cm above ground?
What if you go through life speaking your mind in places you shouldn’t?
This comedy giant is no stranger to putting his big-foot in things.
Starting his debut tour in Australia, Michael Hackett brings the critically acclaimed (by Barry of course…!) Giantology show to the Adelaide Fringe Festival.
His aim? To rip apart the status quo.
Playing with the audience, he’ll weave you into his story. He’ll pull you into his surreal world. Taking you on weird journeys, he’ll have you laughing, maybe crying. One thing’s for sure, you’ll soon see life differently through Michael’s bird’s eye view!
So quit the small talk and come see this giant of a man and giant of a show – a hilarious and unique spectacle at this year’s Fringe.
CELLAR: Feb 16, 17, 18, 21,22, 23, 24, 25, 28, Mar 1,2, 3, 4 at 7.30pm $23/C$19/Grp$19; Cheap Tues Feb 20, 27 at 7.30pm $17 (55mins) 15+
The GC at The German Club 223 Flinders Street Adelaide
View more 2018 Fringe shows at the GC Adelaide
MUSIC at The GC 2018 Fringe
COMEDY & MAGIC at The GC 2018 Fringe
CABARET, THEATRE & DANCE at The GC 2018 Fringe
The Venue - The GC Adelaide
News and Reviews from The GC Adelaide 2018 Fringe
The GC places strong emphasis on high production values and comfort for artists and audiences.
The main performance space, the 450-seat Showroom One, is one of Adelaide's best multi-purpose rooms: flat floor, fully air-conditioned auditorium with side-access proscenium arch stage, high ceiling, black-out curtains, lift and stair access, and excellent acoustics with no sound transfer. It is equipped with some of the very best sound and lighting equipment available, the equal of anything around the Fringe.
Other rooms – from 60 through to 150 seats – provide remarkable performance spaces with quirky ambience, particularly suited to stand-up, small bands and two/three-handed theatre, great for audience interaction.