Disclaimer

The information contained in this website is for general information purposes only. The information is provided by Ignition Entertainment and whilst we endeavour to keep the information up-to-date and correct, we make no representations or warranties of any kind, express or implied, about the completeness, accuracy, reliability, suitability or availability with respect to the website or the information, products, services, or related graphics contained on the website for any purpose. Any reliance you place on such information is therefore strictly at your own risk.

In no event will we be liable for any loss or damage including without limitation, indirect or consequential loss or damage, or any loss or damage whatsoever arising from loss of data or profits arising out of, or in connection with, the use of this website.

Through this website you are able to link to other websites which are not under the control of Ignition Entertainment. We have no control over the nature, content and availability of those sites. The inclusion of any links does not necessarily imply a recommendation or endorse the views expressed within them.

Every effort is made to keep the website up and running smoothly. However, Ignition Entertainment takes no responsibility for, and will not be liable for, the website being temporarily unavailable due to technical issues beyond our control.

The GC places strong emphasis on high production values and comfort for artists and audiences.

The main performance space, the 450-seat Showroom One, is one of Adelaide's best multi-purpose rooms: flat floor, fully air-conditioned auditorium with side-access proscenium arch stage, high ceiling, black-out curtains, lift and stair access, and excellent acoustics with no sound transfer. It is equipped with some of the very best sound and lighting equipment available, the equal of anything around the Fringe.

Other rooms – from 60 through to 150 seats – provide remarkable performance spaces with quirky ambience, particularly suited to stand-up, small bands and two/three-handed theatre, great for audience interaction.

 

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